Audition: Adobe Systems: Proprietary: Yes Yes No No Bitwig Studio: Bitwig Proprietary: Yes Yes Yes No Cakewalk by BandLab: BandLab Technologies Proprietary Yes No No No Cubase: Steinberg: Proprietary: Yes Yes No Yes Yes Requires hardware dongle: Digital Performer: Mark of the Unicorn Proprietary: Yes Yes No No FL Studio: Image-Line: Proprietary. Cubase – 8.5.3 or later (VST3) Nuendo – 7.1.40 or later (VST3) Ableton Live – Ableton Live 10.1 or later (VST3) Studio One Sphere (VST3) Professional – 3.5.6 or later (VST3) Studio One Artist (VST3) Not compatible with Studio One Prime; Audition – CC (VST3) MIDI features are not available in Adobe Audition; FL Studio – 10 or later. Search for jobs related to Convert cubase adobe audition or hire on the world's largest freelancing marketplace with 19m+ jobs. It's free to sign up and bid on jobs.
6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support & MIDI I/O
The perfect balance between connectivity and portability: the UR44 is a powerful audio/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set.
UR44 firmware updates
With the latest firmware updates you get the DSP-based version of Guitar Amp Classics and support for the free dspMixFx app for iPad.
Key features
24-bit/192 kHz USB 2.0 audio interface
Top of the range converters provide a maximum sampling rate of 192 kHz and a resolution of 24 bits, delivering pristine audio quality.
Yamaha’s highly acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this product class.
Rugged full-metal casing
Built to the most exacting standards by Yamaha’s experienced engineers, the UR44’s full-metal chassis is rugged enough to withstand all the rigors of the road.
Compatible with major recording software
The UR44 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard.
MIDI input & output
For utmost flexibility, the UR44 is equipped with a MIDI I/O — connect your favorite synth, a drum trigger module or whatever MIDI device you prefer!
Cubase AI included
Based on the same core technologies as the popular Cubase DAW, Cubase AI offers an intuitive feature set for composing, recording, editing and mixing.
iOS connectivity
UR44 offers connectivity with Apple’s iPad and iPhone. When paired with Steinberg’s iPad-based Cubasis or other iOS audio apps, the UR44 offers a portable and effortlessly intuitive production experience.
Cubasis LE is a streamlined version of Steinberg’s popular iOS music production app, offering professional music production on your iPad.
Basic FX Suite
UR44 offers VST 3 versions of the onboard DSP plug-ins offering useful sound-shaping and FX tools: the Sweet Spot Morphing Channel Strip, the REV-X reverb and Guitar Amp Classics.
Latency-free monitoring with FX
UR44 offers zero-latency monitoring with FX thanks to the included dspMixFx software with even tighter integration for Cubase owners with auto-setup, custom views, and much more.
Today’s musicians and producers demand outstanding quality, sleek design, the latest in audio technology and enough I/O capability to provide true flexibility while still being fully portable and rugged enough to withstand the challenges of the road. Enter the UR44.
First-class components
The UR44 is unique in its combination of input and output capabilities, stellar component quality and portability. Four Neutrik analog combo inputs with peak LEDs and switchable +48 V phantom power provide inputs for everything from an electric guitar through line-level audio equipment to boutique condenser microphones. Switchable Hi-Z support means no additional DI box is required to hook up your electric guitar or bass. Two additional line inputs allow connection of an extra audio source in combination with four mic preamps giving you a total of six input channels; that’s enough to handle a huge range of recording situations.
This unique interface also brings you the advantages of latency-free monitoring powered by the dspMixFx application and offering DSP-powered FX, letting you record with compression, EQ, reverb and guitar amp simulation on the headphone mix. And if you’re using Cubase, all this functionality is integrated directly into the Cubase mixer and custom Cubase windows. For composers and producers using MIDI equipment like keyboards or pad controllers, the UR44 provides MIDI I/O ports on the back panel.
Upwardly mobile
The UR44 is a unique production system as it puts first-class audio technology and outstanding sound quality in a rugged portable device that gives you enough I/O capability for complete flexibility: Recording live performances, producing in studio quality at home or in a hotel room, pre-production for your next album in your rehearsal space, playing back audio backing tracks on stage… The UR44 means no compromises — you can keep your options open at all times. Enjoy the audio quality and advanced features of first-class, studio-ready components housed within an interface portable enough to accompany you wherever you and your music happen to be.
With its unique balance of portability and I/O capability, the UR44 may be among the most flexible devices of its kind available today. Four mic preamps, a total of six input channels, two headphone outputs, a MIDI port, iOS connectivity and four output channels mean that you’re equipped to handle a huge range of recording and production scenarios.
Project studios
While smaller project studios might not need a huge analog desk or dozens of inputs, they do require outstanding audio quality and the ability to record a wide range of musicians, vocalists and other audio sources. Phantom power for highest quality condenser mics is just as important as a feature as the ability to connect several pairs of monitors for A/B-ing mixes on different speaker combinations. Need to quickly record guitar to add to your score or song? Just plug in a guitar to a Hi-Z input and record your guitar with DSP FX and no latency. Record all your digital instruments and connect MIDI controller keyboards to completely integrate all your gear in one compact, portable interface.
The all-round solution for multi-role musicians
Musicians today often find themselves in several different roles: today you might be recording your band in a rehearsal room, tomorrow helping out on a friend’s album production or DJing at a live venue or club; the week after you might need an interface to playback audio backing tracks for a live gig or spend a Sunday afternoon finally getting around to setting up that home studio. Or you might need a portable interface for your hotel room to record that idea that’s been bouncing around in your head all day while on tour. The perfect balance between I/O capability, portability, outstanding audio quality and seamless handling throughout makes the UR44 the ideal interface for the modern multi-role musician.
Backing the band
These days many bands and groups augment their live music with pre-produced backing tracks, perhaps even using MIDI to trigger additional equipment like stage lighting. The UR44 offers an ultra-flexible and reliable portable solution for bands and live musicians. Independent headphone outputs with individual volume control mean playback mixes are readily available for one band member in charge of cueing the next song, while four individual line outputs mean up to two separate stereo mixes for the FOH mixer and musicians on stage. The MIDI I/O can feed lighting equipment with MIDI events synced to the song playing back. And with ultra-stable drivers, a rugged metal case and a sturdy AC adapter that guarantees a stable electrical supply, the UR44 is ideally suited to live bands and performers.
Mobile recording solution
With its stable driver technology, quality components and four first-class mic preamps, the UR44 offers all the functionality needed to record live performances at smaller, more intimate venues or compact rehearsal rooms, or even to record larger groups or vocal ensembles with a few well-placed, high-quality mics. The combination of a portable interface that can fit in a shoulder bag with first-class hardware and software components like the acclaimed D-PRE mic preamps and the ultra-stable drivers makes the UR44 perfectly suited for many mobile recording situations.
Pro-level recordings with the iPad and iPhone
Providing connectivity with Apple’s iPad, the UR44 serves as a portable interface for iPad apps like Cubasis, Steinberg’s streamlined, multi-touch sequencer tailored for the iPad. Perfect for on-the-fly productions and for sketching out musical ideas, Cubasis projects can then be transferred to a computer running Cubase for the next stage of production — while retaining the same audio interface.
Best of all, with the update to firmware version 2.1 you get the free dspMixFx app. Giving control over all the DSP features of the UR interfaces, the dspMixFx for iPad is a convenient tool for every UR user who is also using an iPad and with the latest update of dspMixFx you can also connect to Apple’s iPhone.
UR44 setup scenarios
Dynamic and condenser mics, guitars, headphones, MIDI equipment, iPads, line-level input sources and audio playback equipment: the UR44 features connections that cover a huge range of recording and production scenarios.
Technology
D-PRE mic preamps, dspMixFx, 24-bit/192 kHz — find out more on the technology behind the UR interfaces.
Why UR
Band recording, beat producing and much more — find out more on what you can do with the UR interfaces.
UR line-up comparison
Each member of the UR family offers a unique set of capabilities. Find out which UR model fits your needs best.
AATranslator - Translate projects from one DAW or NLE to another
Convert sessions to/from Ableton Live, Ardour, Audiofile, Audition, Auria, Cool Edit Pro, Capture, Cubase, DAR, Digital Performer, Fairlight, Final Cut Pro 7, Grass Valley, Harrison Mixbus, Hindenburg (Journalist/Pro/Educator/Broadcaster), i-Movie, Lightworks, Logic & Logic Pro (via OMF & AAF), Media Composer/Adrenaline, N-Track, Nuendo, Paris, Premiere, ProTools, Pyramix, Reaper, Sadie, Samplitude/Sequoia, SAW Studio, Sonar (via OMF), Soundscape, Soundtrack Pro, Studio One, Studio Live, Symphony, Tascam MX2424, Tascam X48, Tracktion, TripleDat, Vegas, Waveframe, Wavelab. | |||
DAW / NLE | Format Ext | Notes | |
ProTools 7, 8 & 9 | .ptf | Import from & Export to | ProTools version 7, 8 & 9. Native PTF format (very limited import support for 'region groups') For PT10 a 'Save Session Copy in' as PTF works well |
ProTools 10 & later | .ptx | Import from & Export to | Native ProTools version 10, 11, 12 or 2018 PTX format session file. |
ProTools v5 | .pt5 | Import from & Export to | ProTools 5 and later can Export/Import .PT5 sessions which are far superior /more detailed than OMF or AAF (see here) PT5 also supported by Pyramix, Fairlight & Soundscape. |
ProTools v5-v6 | .pts | ProTools version 5.1 to version 6.9. Native PTS format | |
OMF 2 | .omf | Import from & Export to | Avid Media Composer etc, Apple/Emagic Logic, Nuendo/Cubase, Pyramix, Samplitude/Sequoia v11 and later, Ensonic Paris, Sadie, Soundscape, Sonar, Digital Performer, Lightworks, Adobe Premiere, Audition CS, Apple Final Cut Pro (export only), Soundtrack Pro (import only). The latest versions of Avid Media Composer have no/minimal OMF capabilities, so we have prioritized MC AAF support. |
Ableton Live 8 & later | .als | Native Live v8, v9 & v10 format | |
Advanced Authoring Format | .aaf | Import from & Export to | Huge variations in implementation between AAF files means many NLEs/DAWs are unable to read each other's files. We are able to read AAFs from Auria, Automatic Duck, Avid Media Composer / Symphony, Nuendo, ProTools, Sam X2Pro, STP, Pyramix & Vegas |
AES31 | .adl | Nuendo, Wavelab, Pyramix, AMS Audiofile, Fairlight DR2, Waveframe, DAR, N-Track, Sadie, WaveFrame 7 & Netia Radio-Assist 8 | |
Ardour v2 | .ardour | Import from & Export to | Native xml format. Understood by Ardour, Harrison Mixbus & Xdubber - runs under Linux & OSx |
Ardour v3 | .ardour | Native xml format. Understood by Ardour, Harrison Mixbus & Xdubber - runs under Linux & OSx - AAT reads v3, writes v2 format & writes v3 (MixBus v4) | |
Audacity | .aup | Import from | Native session format. Understood by AATranslator |
Audition CS & CC | .sesx | Import and export Audition CS5.5, CS6, CC and later session files | |
Audition v3 | .xml | Import from & Export to | Native session format. Understood by Audition v3 & AATranslator (limited import into Audition CS5.5 & later) |
Auria | .prj | Native session format. Understood by Auria & AATranslator | |
CMX | .edl | Import from | CMX/EDL - The mother of all EDL formats, Avid, Media Composer, Adobe Premier, Final Cut Pro. Supported formats include CMX3600, 340, 3400, Grass Valley GVG4/GVG_7 & Sony 5000 |
Cool Edit/Audition | .ses | Import/read Cool Edit Pro v1.2 to v2.1 and versions 1 to 3 of Audition session files (ses) and export to AA1.5 session format | |
Final Cut Pro | .xml | Import from & Export to | Import & export format for Final Cut Pro v1-7, SoundTrack Pro, Fairlight DR2 & Audition and export from Logic Pro & Media100 |
Hindenburg | .nhsx | Import from Hindenburg Journalist/Pro/Educator/Broadcaster | |
Open TL | .tl | Import from & Export to | Tascam, Apple (& Emagic) Logic, Nuendo, Studio One, WaveFrame 7 |
Premiere Pro | .prproj | Native Premiere Pro format | |
Presonus | .capture | Import from & Export to | Import & export format for PreSonus Studio One and Studio Live/Capture. |
Presonus | .song | Import & export format for PreSonus Studio One. | |
Pyramix | .xml | Import from & Export to | Import an xml exported from Pyramix or create one suitable for importing into Pyramix. |
Reaper | .rpp | Reaper native session format. Most aspects of this format can be converted if the destination format has sufficient capability | |
Samplitude | .edl | Import from & Export to | Samplitude/Sequoia & Magix Video Pro, Reaper, N-Track |
Samplitude | .vip | Samplitude native binary format | |
SAW Studio | .edl | Import from & Export to | SAW Studio native binary format (old 'SAW 32' EDLs can be converted to SAW Studio EDLs using the SAW Studio demo) |
SAW Plus32 | .edl | SAW Plus32 native binary format | |
SAW Pro | .edl | Import from | SAW Pro native binary format |
StarTrack | .dat | dira! StarTrack multitrack session files | |
Tascam | .bu | Import from | Tascam native format as used by MMR-8, MMR-16, MX-2424 |
Tascam X48 | .ndr | Tascam X48 native binary format | |
Track Archive | .xml | Import from & Export to | Nuendo & Cubase (versions which import & export track archives), PreSonus Studio One |
Tracktion | .tracktion | Native binary project file combined with .trkedit (xml) files. Understood by Tracktion & AATranslator | |
TripleDat | .arg | Import from | Native text project file combined with cut (txt) files. The native TDM & TDS files converted to wav. Understood by CreamWare's TripleDat & AATranslator |
Vegas | .veg | Vegas native format. Currently read Version 8 and later | |
Vegas EDL | .txt | Import from & Export to | Vegas, Reaper |
Vegas Script | .xml | Vegas Script (.xml) format offers a far more “data rich” conversion compared to that of the Vegas EDL (.TXT) format | |
To get a good understanding of what all the various formats we support can do, download 'Conversion Guide.xls' |
AATranslator was originally developed to take advantage of Adobe Audition's excellent editing capability where the result was to be mixed in a ProTools equipped facility.
Since then we have continually improved AATranslator to the point where it now converts more formats (including PTF, PTX, OMF & AAF) than any other session conversion program.
So if you have either a commercial or practical reason that makes it necessary to move a session from one DAW to another then AATranslator is probably your best solution.
AATranslator is being constantly developed with additional formats and revisions to accomodate the latest versions of formats we already support.
* Current version 6.4.0 released on 23/12/2020 *
(Latest beta version available on request to registered users)
* Details on how to purchase AATranslator can be found at the bottom of this page*
Does AATranslator convert everything?
The short answer is no.
DAW/NLE capabilities vary so enormously that a complete conversion between every session format is impossible.
We do convert far more detail than any session conversion program has offered so far but we do not convert either plugins/fx or midi.
Our focus is audio plus one or more video tracks (download our conversion guide for more detail).
While we do extract audio from many video files if your session consists of mainly video files then it's advisable to contact us as to suitability.
We will happily convert a test session for you, answer any of your questions and possibly add additional functionality.
* Check out Raymond Radet's tutorial on converting a Premiere CS6 session to Reaper using AATranslator *
To check if AATranslator suits your needs we are happy to run a test conversion before you buy.
AATranslator is a PC only program
Enhanced Version | 'Enhanced' version splits all poly channel media (except stereo) when exporting to ProTools |
Standard Version | 'Standard' version DOES NOT support OMF, AAF, Premiere .prproj or any version of ProTools If your conversions involve these formats then you will need to purchase the 'enhanced' version |
Upgrade from Standard to Enhanced Version | You will need to provide your current AATranslator registration number |
Make a Donation | AATranslator is NOT 'donationware' These donations are meant to show appreciation for additional services provided |
Shortly after purchase you will receive an email containing registration and download details |
*All trademarks and trade namesare the property of their respectiveholders
Adobe Audition Vs Cubase
Adobe Audition Vs Cubase
'So as a mixer you are going to receive a ptf. It is a deep feeling of loneliness but AATranslator comes and gives you a big hug saying 'here is your rpp, kid'.' Mim - France |